Winner of the 1928 Pulitzer Prize, Strange Interlude is a Freudian melodrama that seeks to explore the vast, unfathomable murk of the human unconscious. To accomplish this goal, playwright Eugene O’Neill employed an experimental use of soliloquies, where characters revealed their unvarnished inner thoughts directly to the audience, revealing the psychic turmoil lurking beneath the placid masks of polite society. Following its first exhibitions, Strange Interlude also became a lightning rod of controversy and censorship due to its frank portrayals of topics such as abortion, infidelity, sexual desire, and mental illness.